Michael Jefry Stevens

Jazz Pianist 
composer
& teacher

Over the past 40 years Pianist/Composer Michael Jefry Stevens has been associated with some of the most important figures in modern jazz.

Beginning with his first CD release in 1991 as a member of Mark Whitecage’s Liquid Time Group, Mr. Stevens has been in the forefront of the NYC and international improvised music scene. 

Between 1988-1990 he co-led the now legendary “Mosaic Sextet” with Dave Douglas. This group included Mark Feldman on violin, Michael Rabinowitz on bassoon, and the rhythm section of Harvey Sorgen on drums and Joe Fonda on bass. 

Their “Today This Moment” CD release on Konnex Records and re-release on GM Recordings is considered one of the classic modern jazz recordings of the 1990s and was voted one of the best 1000 jazz recordings by the 2011 Penguin Guide to Jazz. 

This rhythm section went on to become the nucleus for the Fonda/Stevens Group. Since the quartet’s inception in 1992, the Fonda/Stevens Group has released 14 CDS, repeatedly toured Europe and is one of the most successful working modern jazz groups on the international scene. 

For the past four decades, I’ve taught private lessons at home and have been on faculties including Five Towns College (Dix Hills, NY), Rhodes College (Memphis, TN), and Eastern Tennessee State University (Johnson City, TN) where I currently teach

I was also a visiting summer professor at the EMU Educacion Musicale in La Plata, Argentina.

My personal teaching philosophy is to understand and respond to the specific needs of each individual student.  I am first and foremost concerned with the student as a human being living on this planet through these difficult times.  Practicing and learning music is very demanding and often isolating so I believe it is my job to create a bridge for each student to find his/her own unique voice through which they communicate musically. 

I would not characterize my teaching style as “academic”.  I am by nature and temperament an iconoclast who, over my professional career as a jazz pianist and composer, have created my own musical vision and language.  My goal is to create a teaching environment that allows each student to self-actualize and discover the power and the universal truth that is inherent in all great Art.

Michael's Most Recent Recordings

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Look Through these Unique and Fun Compositions
& Arrangements from Michael

Original Lead Sheets

Combo Arrangements

Large Ensemble

Vocal charts

Chamber Music

Contact Michael

Bon Voyage

This piece has an open straight 1/8 note feel. Lots of harmonic movement which is more modal than functional. I wrote this in the early 1990's on my way to begin a European tour with the Fonda/Stevens Group.

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Bon Voyage

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Alisiah

Style: swing
Grade: 1

For My Brother

Style: ballad
Grade: 2

 

Lie's Song

Style: waltz
Grade: 2

 

The Beauty That We Are

Style: ballad
Grade: 2

This ballad is quite easy to play.  The changes move very slowly giving the student plenty of time to navigate the harmonic landscape.

Break Song

Style: swing
Grade: 2

 

The Moffett Family

Style: ballad
Grade: 3

This piece was composed in the early 1980’s and dedicated to Charnett Moffett and his family band. I played with the band for one year. The tune is a simple form containing only dominant chords. The feel is very bluesy.

Red's Blues

Style: blues
Grade: 1

 This is a very simple “swing” composition with a bluesy feel but not in a Blues form. The changes are very simple.  The head is a question-and-answer with the melody and the rhythm section. Very simple piece and lots of fun.  A good piece to introduce the blues scale.

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Song for Rio

Style: latin
Grade: 3

 

I wrote this bossa nova after visiting Rio in 1959.  This a fun to play and the bridge of the song is quite chromatic.

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Memorial

Style: latin
Grade: 4

This piece features a Latin feel written out in the piano part.  The changes are pretty standard and move slowly enough for the student to navigate quite easily. The bridge of the tune is a fun release from all the harmonic movement in the beginning section of the composition.

The Innocence of Spring

Style: swing
Grade: 4

 

Kulturshock

Style: swing
Grade: 5

This is a very adventurous composition. The harmonies are very difficult and the rhythms are quite unusual. A great challenge for the advanced player.

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For Wheeler

Style: swing
Grade: 4

An open swing feel features a chromatic chord sequence and several polychords.  The changes move quickly making the piece difficult for the soloist to navigate. The melody is not difficult but overall the piece is challenging.

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A Summer's Morning

Style: Ballad
Grade: 3

A Summer’s Morning is a ballad with a very short 8 bar form. The changes all revolve around ii-V-I sequences in both major and minor keys.  A good piece for both beginners and intermediate players.

The Beauty That We Are

Style: ballad
Grade: 2

This ballad is quite easy to play.  The changes move very slowly giving the student plenty of time to navigate the harmonic landscape.