Michael Jefry Stevens

Fonda/Stevens Group

The members...

Bassist Joe Fonda  has performed with his own ensembles throughout the United States, Canada, Europe and Asia. He has collaborated  Archie Shepp, Ken McIntyre, Lou Donaldson, Bill and Kenny Barron, Leo Smith, Perry Robinson, Dave Douglas, Curtis Fuller, Bill Dixon, Han Bennink, Bobby Naughton, Xu Fengia, Randy Weston, Gebhard Ullmann, Carla Bley,  Carlo Zingaro, Barry Altschul, Billy Bang and many others. Fonda was the bassist with  Anthony Braxton from 1984 through 1999. His current projects include the “Dreamstruck” trio featuring Marilyn Crispell and Harvey Sorgen, his collaboration with pianist Satoko Fujji, The New Origins Trio with Christopher Roche, The Eastern Boundary Quartet, the Michael Musillami Trio and the Nu Band.

Master Drummer Harvey Sorgen is the original drummer with the Fonda/Stevens Group, which was formed in 1997. Harvey is comfortable in any musical situation and has worked with some of the finest musicians in the world including:

Hot Tuna, Ahmad Jamal, Michelle Shocked, Paul Simon, Dewey Redman, Dave Douglas, D Mark Feldman, Karl Berger, Joe Mcphee, Julius Hemphill , Connie Bauer, Pete Levin, John Lindberg, Zakir Hussain, Wadada Leo Smith, Cameron Brown, Steve Swell, Neil Rolnick, Anthony Braxton, Carter Jefferson, John Stubblefield, Bruce Hornsby, Jay Anderson, Derrick Trucks, Jimmy Heath, Percy Heath, Roswell Rudd, Phil Lesh, David Torn, Levon Helm, Bill Frisell, Herb Robertson, Carlos Santana, Art Lande, Bob Weir, Greg Allman, Jack DeJohnette, Dave Samuels, Garth Hudson, amongst many, many others. 

 

Pianist Michael Jefry Stevens has released over 100 CDs featuring his own music and has performed and recorded extensively with many of the top names in Jazz, including Dave Liebman, Oliver Lake, Dave Douglas, Leo Smith, Matt Wilson, Han Bennink, Mark Feldman, Steve Wilson, Walt Weiskopf, Valerie Ponomarev, Cecil Bridgewater, Jeanne Lee, Dakota Staton, Charles Moffett Sr., George Schuller, Dame Evelyn Glennie, and many others. In 2021 he received a $10,000 Doris Duke Foundation Performing Artist Recovery Fund Grant administered by the New York Community Trust Fund and grants from the North Carolina Arts Council and Buncombe County’s Mountain Bizworks. He received his Master of Arts degree in Jazz Performance from Queens College (CCNY).

 

 

Dubbed “one of the great and often under-appreciated jazz groups of the modern era” by the All Music Guide, and “arguably one of the finest and hardest working modern jazz outfits in the business” by All About Jazz, the Fonda/Stevens Group has consistently toured and recorded to critical acclaim for over three decades, performing numerous European tours, radio broadcasts and festival appearances. Together for more than thirty years, the core rhythm section team of Michael Jefry Stevens, Joe Fonda, and Harvey Sorgen in collaboration with Herb Robertson on trumpet have been featured performers at numerous venues throughout Europe and North America.

The Fonda/Stevens Group grew out of a series of musical relationships that Joe Fonda and Michael Jefry Stevens engaged in beginning in 1984 in New York City.  Our first musical liaison began with our mutual association performing with Mark Whitecage in various musical ensembles culminating in performing with his “Liquid Time” Quintet in the late 1980’s and included Dave Douglas, Gerry Hemingway, Mike Sarin, Peter LeMaitre and probably some other musicians on and off during the course of probably 5 years.   Associations from that band helped to form our next major musical project which was the Mosaic Sextet (1988 – 1990). 

That Sextet included Michael Rabinowitz, Joe Fonda, Michael Jefry Stevens, Dave Douglas, Mark Feldman and Harvey Sorgen on drums. The group disbanded in 1990 and Joe and I decided to start the Fonda/Stevens Group.  The players we chose were Mark Whitecage, Herb Robertson and Harvey Sorgen.  This probably happened in 1991, which means that the band has been together now for 33 years.  Although the band was originally a quintet it became a quartet without Mark around 1999/2000.  
The Quartet has released fourteen CD’s over the course of thirty plus years as a touring ensemble.  The ensemble has been dormant since “Covid”.  However, the group is currently reforming and is planning a European tour in the Fall of 2026.

These days, there are few modern jazz groups which can seamlessly merge elements of free improvisation with main- stream and post-bop stylizations, while still maintaining a signature group sound. The Fonda/Stevens Group is partly about the sum of its parts, where the respective musicians emerge as stylists by honing a group-based methodology that stand on its own”.

– All About Jazz, Glenn Astarita

CD Releases...

Click or tap the album cover to read the review.

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Review of the The Fonda/Stevens Group “Evolution" album

CADENCE MAGAZINE

Over the past few years and the course of five albums, the Fonda/Stevens Group has evolved into one of Jazz/improvised music’s most accomplished ensembles.

What’s impressive is how they create a cohesive unit without grandstanding egos getting in the way. With first-rate playing, memorable compositions and five albums behind them, the Fonda/Stevens Group has become one of the best kept secrets in Jazz. They’re definitely a band to check out and Evolution is a good place to start.”

 

Review of the The Fonda/Stevens Group “Live at the Bunker" album

JAZZ TIMES, PETER MARGASAK

A wonderfully inclusive quartet date-recorded live In Germany in  1999 that makes no fuss over Its broad range; whether tackling pianist Michael Jefry Steven’s gorgeous, richly lyrical ballad “For Us” or leaping into the freedom of bassist Joe Fonda’s open-ended “Circle”, this group plays with equal precision and passion.

Review of the The Fonda/Stevens Group “Forever Real" album

SIGNAL TO NOISE

Bassist Joe Fonda and pianist Michael Jefry Stevens have been playing with drummer Harvey Sorgen since the late eighties. For over a decade, this crack rhythm section, with various collaborators, has released records of strong original compositions as the Fonda/Stevens Group. Their eighth album, Forever Real, continues the band’s commitment to combining a palpable sense of straight ahead swing with elements of modernity. Forever Real is what one would ideally like to see from this group a decade into its career: a combination of recognizable creativity and courageous new experimentation.

Review of the The Fonda/Stevens Group “Memphis" album

JAZZ TIMES, MIKE SHANLEY

Joe Fonda (bass) and Michael Jefry Stevens (piano) have maintained their quartet since 1991, but the band has had most of its success in Europe, where it’s toured extensively and released 10 albums. Rounded out by trumpeter Herb Robertson and drummer Harvey Sorgen, the quartet balances time between loose, semi-free moments and gentle ballads, with some effort set aside for grooving riffs.


Both leaders take turns writing, and their styles blend more than they contrast.”

Mountain Song

Style: jazz waltz

Grade: 3

I wrote this song while I was living in Brooklyn, NY and spending quite a bit of time in Woodstock, NY.  This is the closest thing to a “country music” song I have ever written.  This composition was recorded by myself and bassist Eliot Wadopian on our "Mountain Song" duo CD.  This piece is extremely playable at most levels!!!

Mountain Song

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Alisiah

Style: Swing

Grade: 1

Alisiah is one of my earliest compositions. The tonality revolves around C major, F major and Eminor. It is a very simple medium tempo swing tune. Nothing fancy.  This piece was recorded on my "Duets" CD with vibraphonist Jason DeCristofaro.

Alisiah

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For My Brother

Style: Ballad

Grade: 2

The harmonies move quite slowly in this ballad.  The most challenging aspect of the piece are the 2/4 bars.  This ballad was recorded on Jon Hemmersam's "Remembering" CD release which also featured Dave Liebman and Rakalam Bob Moses.

For My Brother

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Lei’s Song

Style: Waltz

Grade: 2

This is one of my favorite compositions.  Written in 3/4 time, but with phrases grouped in three’s, four’s and other odd groupings this is a very unique piece.  Also, it is made up entirely of minor 7 chords.  The Fonda/Stevens Group recorded this tune on our CD "The Healing".

Lei’s Song

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The Beauty That We Are

Style: Ballad

Grade: 1

This ballad is quite easy to play.  The changes move very slowly giving the student plenty of time to navigate the harmonic landscape.

The Beauty That We Are

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The Moffett Family

Style: Blues

Grade: 2

This piece was composed in the early 1980's and dedicated to Charnett Moffett and his family band. I played with the band for one year. The tune is a simple form containing only dominant chords. The feel is very bluesy.

The Moffett Family

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Red’s Blues

Style: Blues, swing

Grade: 2

This is a very simple “swing” composition with a bluesy feel but not in a Blues form. The changes are very simple. The head is a question-and-answer with the melody and the rhythm section.  A good piece to introduce the blues scale to students. Released on my "Red's Blues" CD.

Red’s Blues

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Song for Rio

Style: Latin

Grade: 3

I wrote this bossa nova after visiting Rio in 1999.  The form is quite long and the bridge is very chromatic.  The piece is highly melodic and quite fun to play.  The "Stevens, Siegel & Ferguson Trio" recorded this tune on our "Six" CD release.

Song for Rio

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Memorial

Style: Latin

Grade: 4

This piece features a Latin feel written out in the piano part.  The changes are pretty standard and move slowly enough for the student to navigate quite easily. The bridge of the tune is a fun release from all the harmonic movement in the beginning section of the composition.  The "Stevens, Siegel & Ferguson Trio" recorded this composition on our "Panorama" CD which featured Valery Ponomarev on trumpet.

Memorial

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The Innocence of Spring

Style: Swing

Grade: 4

This medium swing tune consists of an extended melody and long form.  The harmonies are very chromatic and include some hybrid chordal structures as well.  The piece is challenging but worth the effort.  I recorded this on my "The Innocence of Spring" CD with saxophonist Don Aliquo.

The Innocence of Spring

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Kulturshock

Style: Swing

Grade: 5

This is a very adventurous composition. The harmonies are very difficult and the rhythms are quite unusual. A great challenge for the advanced player.  I wrote this piece shortly after moving from Brooklyn, NY to Memphis, TN.  That was quite a culture shock!!!

Kulturshock

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Four Wheeler

Style: Swing

Grade: 2

This composition is an open swing feel featuring a chromatic chord sequence and several polychords.  The changes move quickly making the piece difficult for the soloist to navigate. The melody is not difficult but overall the piece is challenging.  This is dedicated to the great trumpeter Kenny Wheeler.

Four Wheeler

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The Beauty That We Are

Style: ballad
Grade: 2

This ballad is quite easy to play.  The changes move very slowly giving the student plenty of time to navigate the harmonic landscape.

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